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ten.one.point.one.

by Autoclav1.1

16a 00:00 / 03:42
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    Tony Young aka: Autoclav1.1 celebrates his 10th Anniversary with a new label to call home and a new album to celebrate this monumental feat. Ten.one.point.one fuses orchestral compositions and IDM with flashes of industrial, rock and modern electronica. Autoclav1.1 has gained a reputation for pulling on the deepest of human emotions with a variety of melody, frequently torn apart by paranoid beatwork and broken rhythmical structures. This Autoclav1.1 signature formula is ever present throughout Ten.one.point.one. From the dark soundscapes and haunting piano of "16a" to the break beats "Your Face Goes Here," Autoclav1.1 continues to push new boundaries and proves things only get better with age.

    Includes unlimited streaming of ten.one.point.one. via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 2 days
    Purchasable with gift card

      $8 USD or more 

     

1.
16a 03:42
2.
3.
Waiting Room 04:27
4.
Spanner Line 04:18
5.
6.
7.
8.
9.
Crack Towers 04:26
10.

about

Tony Young aka: Autoclav1.1 celebrates his 10th Anniversary with a new label to call home and a new album to celebrate this monumental feat. Ten.one.point.one fuses orchestral compositions and IDM with flashes of industrial, rock and modern electronica. Autoclav1.1 has gained a reputation for pulling on the deepest of human emotions with a variety of melody, frequently torn apart by paranoid beatwork and broken rhythmical structures. This Autoclav1.1 signature formula is ever present throughout Ten.one.point.one. From the dark soundscapes and haunting piano of "16a" to the break beats "Your Face Goes Here," Autoclav1.1 continues to push new boundaries and proves things only get better with age.

credits

released June 24, 2014

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WTII Records, LLC Louisville, Kentucky

WTII Records is an independent record label that specializes in industrial, EBM, synthpop, Electronic rock, IDM and all things electronic.

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